Monde OpenText 2024

Production immersive pour un chef de file mondial de la technologie

Portée des travaux

Production AV complète
mise en scène
LED Video
Diffusion virtuelle
Video Content

Année

2026

the challenge

Défi

OpenText World 2024 a été conçu pour redéfinir l'expérience des événements d'entreprise, en mélangeant technologie, narration et exécution transparente pour captiver un auditoire de 2 000 participants en personne et 10 000 participants virtuels.

DCI wanted it to feel important and credible, but also warm, relaxed and unmistakably Vancouver, without losing its sophistication. Above all, they wanted it to go well beyond a traditional medical conference.

The starting point: a dark theatre.

The vision: bring the BC coast inside.

the solution

Blend Real Nature And Technology To Turn The Theatre Into The BC Coast.

From the first conversation, we understood their vision. The natural world sits at the heart of DCI’s discussions, so we set out to make the theatre feel like a place on the BC coast rather than a conference room. It was also a fitting welcome for guests who had travelled a long way to be there. The idea took shape as a pencil sketch inspired by a real BC beach, then as 3D models and concept renders, so DCI could see the room long before load-in.

It started with a pencil sketch.

Concept render: blocking out the set.

The key was blending real nature with technology. On stage, real cedar, along with rocks and driftwood, framed a video wall playing footage we created of a West Coast shoreline, with gentle waves rolling onto the sand. The greenery spilled over the screen’s edges so the technology felt like part of the landscape while still serving as the main screen for presentations. Lighting and audio gave the room a warm, theatrical feel, and a painted floor carried the beach to the edge of the stage.

Real cedar, moss and driftwood, built around the screen.

On day two, guests walked into somewhere new. The sunny beach had become a lake at dusk, with a dock and a red canoe, and the warm yellows and greens gave way to cool blues and purples. The physical set never changed. We transformed the room with video and lighting alone, giving guests a fresh view and DCI two distinct looks for the cost of one set.

Day two: same set, new scene.

the result

Résultats

“They took our ideas and brought them to life even better than we’d imagined,” says Kevin McKenzie, Consultant, Dilawri Cardiovascular Institute (DCI). “The quality of their work genuinely impressed us and our guests, and we achieved the ‘wow moments’ we were hoping for.”

Behind those moments was a team DCI could count on. Our crew had a single day for load-in, and that afternoon DCI asked to add the painted floor. We had it ready by evening without disrupting the schedule.

Ready by evening: the painted floor carries the beach to the edge of the stage.

What started as a clear vision and a dark, empty theatre became a room that felt as important as the people in it, and as warm as the city welcoming them. For two days, more than 100 cardiovascular professionals from around the world gathered on a West Coast shoreline instead of in a conference hall, and DCI got the event they had set out to create.

the challenge

Make a dark theatre feel important yet relaxed for 100+ cardiovascular professionals.

When the Centre for Cardiovascular Innovation (CCI-CIC) began planning Vancouver Valve 2026, they had a clear vision. The event would bring more than 100 surgeons and cardiovascular health leaders to a Vancouver theatre, many of them travelling from overseas, for two days of focused conversation.

CCI-CIC wanted it to feel important and credible, but also warm, relaxed and unmistakably Vancouver, without losing its sophistication. Above all, they wanted it to go well beyond a traditional medical conference.

The starting point: a dark theatre.

The vision: bring the BC coast inside.

the solution

blend real nature and technology to turn the theatre into the bC coast.

From the first conversation, we understood their vision. The natural world sits at the heart of CCI-CIC’s discussions, so we set out to make the theatre feel like a place on the BC coast rather than a conference room. It was also a fitting welcome for guests who had travelled a long way to be there. The idea took shape as a pencil sketch inspired by a real BC beach, then as 3D models and concept renders, so CCI-CIC could see the room long before load-in.

It started with a pencil sketch.

Concept render: blocking out the set.

The key was blending real nature with technology. On stage, real cedar, along with rocks and driftwood, framed a video wall playing footage we created of a West Coast shoreline, with gentle waves rolling onto the sand. The greenery spilled over the screen’s edges so the technology felt like part of the landscape, while still giving speakers their notes and the daily schedule. Lighting and audio gave the room a warm, theatrical feel, and a painted floor carried the beach to the edge of the stage.

Real cedar, moss and driftwood, built around the screen.

On day two, guests walked into somewhere new. The beach had become a lake at dusk, with a dock and a red canoe, and the warm yellows and greens gave way to cool blues and purples. We didn’t change the set or the tech, only the video content and lighting, so guests got a fresh view and CCI-CIC got two distinct looks for the cost of one set.

Day two: same set, new scene.

the result

their vision came to life beyond what they'd pictured, and their guests felt it.

“They took our ideas and brought them to life even better than we’d imagined,” says Kevin McKenzie, Consultant, Centre for Cardiovascular Innovation (CCI-CIC). “The quality of their work genuinely impressed us and our guests, and we achieved the ‘wow moments’ we were hoping for.”

Behind those moments was a team CCI-CIC could count on. The set went in within a day, as planned, and when they asked on the afternoon of load-in to bring back the painted floor, which had been cut from the plan in July, our crew had it ready by evening.

Ready by evening: the painted floor carries the beach to the edge of the stage.

What started as a clear vision and a dark, empty theatre became a room that felt as important as the people in it, and as warm as the city welcoming them. For two days, more than 100 cardiovascular professionals from around the world gathered on a West Coast shoreline instead of in a conference hall, and CCI-CIC got the event they had set out to create.

Multi-screen staging setup at OpenText World with branded visuals and AV Company production in a large venue.
Crowd dancing at high-energy Stagevision live event with red lighting and multi-screen audiovisual production.
Crowd attending keynote speech at live OpenText event by Stagevision, featuring LED panels, lighting effects, and large AV display.
Stagevision event venue with countdown timer, immersive lighting, and galaxy-themed audiovisual staging setup.
Live talk show-style panel with two speakers on stage at OpenText World 2024, immersive AV design by Stagevision.
Large-scale Stagevision live event with LED walls, purple lighting, and crowd interaction in immersive AV experience.

« Le professionnalisme et l'expertise technique de l'équipe de Stagevision sont inégalés et ont joué un rôle essentiel dans le succès d'OpenText World. Nous apprécions grandement notre partenariat avec l'équipe très professionnelle et organisée de Stagevision, qui continue d'être un partenaire de confiance pour offrir des expériences de production excellentes et de haute qualité pour OpenText. »

Kevin McKenzie

Blue verification check icon.

Directeur principal, Événements corporatifs, OpenText

Donnons vie à votre vision événementielle !

Parlez-nous de votre événement — nous nous occuperons du reste avec une créativité audacieuse, une technologie novatrice et une exécution sans faille.